Musings on Līlā: An Outsider’s Lament

Abstract

This article delves into the complex concept of līlā, particularly within the context of Krishna's narratives, from the perspective of an outsider grappling with its meaning. It explores the challenges of understanding līlā, which is often described as divine play transcending ordinary human awareness. The author examines various interpretations, from viewing līlā as innocent play to its potential connection with theatrical performance. The paper also considers historical and political contexts that might have influenced the prominence of Krishna līlā narratives. Furthermore, it addresses potential moral and philosophical conundrums associated with the idea of divine play amidst suffering. By exploring the etymology of "līlā" and related concepts like "rasa" and "bhakti" (reinterpreted as "sharing"), the author seeks a middle ground between detached observation and unquestioning belief, suggesting that participation and embodied realization might offer a pathway to understanding the essence of līlā. The paper concludes by considering the hyperbolic and inconceivable nature of Krishna's actions as a call for surrender and highlights the transformative power of experiencing even separation and suffering within the framework of līlā.